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A musical, Aesop's Fables by British playwright Peter Terson, first produced in 1983, [151] was performed by the Isango Portobello company, directed by Mark Dornford-May at the Fugard Theatre in Cape Town, South Africa, in 2010. [152] The play tells the story of the black slave Aesop, who learns that freedom is earned and kept through being ...
This is a list of those fables attributed to the ancient Greek storyteller Aesop, or stories about him, which have Wikipedia articles. Many hundreds of others have been collected over the centuries, as described on the Aesopica website. [1]
Aesop (/ ˈ iː s ɒ p / EE-sop or / ˈ eɪ s ɒ p / AY-sop; Greek: Αἴσωπος, Aísōpos; formerly rendered as Æsop) is an almost certainly legendary Greek fabulist and storyteller, said to have lived c. 620–564 BCE, and credited with a number of fables now collectively known as Aesop's Fables.
Aesop's Fables (previously titled Aesop's Film Fables and Aesop's Sound Fables) is a series of animated short subjects, created by American cartoonist Paul Terry. [1] Produced from 1921 to 1934, the series includes The Window Washers (1925), Scrambled Eggs (1926), Small Town Sheriff (1927), Dinner Time (1928), and Gypped in Egypt (1930).
An indication of how old and well-known this story was is given by an allusion to it in the work of the philosopher Democritus from the 5th century BCE. Discussing the foolish human desire for more, rather than being content with what one has, he describes it as being "like the dog in Aesop's fable". [2]
A woodcut from the 1814 edition of Samuel Croxall's The Fables of Aesop. The story appears only in Greek sources in ancient times and may have been invented to explain the proverb 'One swallow does not make a spring' (μία γὰρ χελιδὼν ἔαρ οὐ ποιεῖ), which is recorded in Aristotle's Nicomachean Ethics (I.1098a18). [1]
The Weasel and Aphrodite [a] (Ancient Greek: Γαλῆ καὶ Ἀφροδίτη, romanized: Galê kaì Aphrodítē), also known as Venus and the Cat is one of Aesop's Fables, numbered 50 in the Perry Index. A fable on the cynic theme of the constancy of one's nature, it serves as a cautionary tale against trusting those with evil temper, for ...
In this more leisurely work of 182 lines, as well as Aesop's fable of the nut tree being the subject, there is a glance at another concerning The Travellers and the Plane Tree. While the fruit tree is treated with no respect, 'barren plane trees have more honour for the shade they provide' ( at postquam platanis sterilem praebentibus umbram ...