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Lục bát (Vietnamese: [lʊwk͡p̚˧˨ʔ ʔɓaːt̚˧˦], chữ Hán: 六八) is a traditional Vietnamese verse form – historically first recorded in Chữ Nôm script. "Lục bát" is Sino-Vietnamese for "six-eight", referring to the alternating lines of six and eight syllables. It will always begin with a six-syllable line and end with an ...
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Lục súc tranh công (六畜爭功 "The Quarrel of the Six Beasts") is a classic narrative poem written in late Eighteenth Century Vietnam. Although the title is given in classical chữ Hán the poem itself is written in the vernacular Vietnamese language in Vietnamese chữ Nôm and lục bát verse. [ 1 ]
The Tale of Tống Trân and Cúc Hoa (宋珍菊花 Tống Trân Cúc Hoa) is a traditional epic poem in lục bát verse from 18th or 19th Century Vietnam. The poem is anonymous. The poem was widely published in the early days of Vietnamese printing, [1] including engraved plates with illustrations. [2]
According to statistics by Nguyễn Thị Lan, Tự Đức thánh chế tự học giải nghĩa ca holds the largest collection of Chinese characters that are annotated with chữ Nôm. [9] Hà Đăng Việt states that the Nôm in the book mainly uses three methods of creating characters, giả tá 假借 (phonetic loan), hình thanh 形聲 ...
The Tự Lực văn đoàn was an influential literary collective founded in 1932-1933 by Nhất Linh and Khái Hưng.They were one of the most significant political and literary movements in twentieth-century Vietnam and published significantly via their two journals, Phong Hóa (Mores, 1932–1936) and Ngày Nay (Today, 1936–1940, 1945) as well as their own publishing house (Đời Nay).
The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
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