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Now That's What I Call Music! 27 was released on March 11, 2008. The album is the 27th edition of the Now! series in the United States. It debuted at number two on the Billboard 200, although, with opening week sales at 169,000 units, it was the lowest opening week for a Now! album from the main series since the first volume.
The song has also been featured on the Gossip Girl episode "Chuck in Real Life", [13] which aired on 20 October 2008. [14] The track featured on the compilation Now That's What I Call Music! 71. [15] The song was released digitally worldwide through iTunes, with a digital single released on 5 October. [16]
The most successful volume to date is 1999's Now That's What I Call Music! 44, which sold 2.3 million copies and remains the biggest-selling various artists compilation album in the UK. [12] 2008's Now That's What I Call Music! 70 sold 383,002 units in the first week of sales, the biggest ever first week sale of any Now album. [13]
Until the release of Now That's What I Call Music! 90 on 30 March 2015, the release date in Ireland preceded the UK release by 3 days. However, starting with Now That's What I Call Music! 91 on 24 July 2015, the release dates in the United Kingdom and Ireland have been simultaneous, aligning with the Global Release Day campaign by IFPI ...
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Now That's What I Call Music! 27 refers to multiple different Now That's What I Call Music! series albums. Now That's What I Call Music! 27, released in 1994; Now That's What I Call Music! 27 (U.S. series), released on March 11, 2008; Now! 27 (Canadian series), released on September 23, 2016
On 30 July 2011 it was officially premiered on YouTube and on the Australian music show Rage. The music video was well received for its artistic style, picking up 200,000 views in its first two weeks, as well as receiving promotion on Twitter by actor Ashton Kutcher and Katy Perry. [23] [20] "What a video!" Snow Patrol's Gary Lightbody enthused ...
[14] "Mo Bounce" was among the Stereotype's recognized body of work that secured their Producer of the Year, Non-Classical nomination at the 60th Annual Grammy Awards. [15] [16] Time magazine ranked it as the fifth worst song of 2017, saying "the repetitive 'bounce, bounce, bounce' chorus was a respite" from Azalea's lyrics. [17]