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B-flat minor is traditionally a 'dark' key. [ 1 ] The old valveless horn was barely capable of playing in B-flat minor: the only example found in 18th-century music is a modulation that occurs in the first minuet of Franz Krommer 's Concertino in D major , Op. 80.
The first movement of the second piano sonata is in sonata allegro form. The exposition begins with the first theme, which has a descending arpeggio that ends with a low B-flat octave followed by a B-flat minor chord. The first theme area lasts until a cadenza-like passage creates a bridge into the second theme area.
The Piano Concerto No. 1 in B ♭ minor, Op. 23, was composed by Pyotr Ilyich Tchaikovsky between November 1874 and February 1875. [1] It was revised in 1879 and in 1888. It was first performed on October 25, 1875, in Boston by Hans von Bülow after Tchaikovsky's desired pianist, Nikolai Rubinstein, criticised the piece.
Piano Concerto (Santiago) Piano Concerto No. 1 (Scharwenka) Piano Concerto No. 1 (Tchaikovsky) Piano Sextet (Lyapunov) Piano Sonata (Reubke) Piano Sonata No. 2 (Chopin) Piano Sonata No. 2 (Rachmaninoff) Polonaises, Op. posth. (Chopin) Prelude and Fugue in B-flat minor, BWV 867; Prelude and Fugue in B-flat minor, BWV 891; Prelude, Op. 28, No. 16 ...
In the key of C major, these would be: D minor, E minor, F major, G major, A minor, and C minor. Despite being three sharps or flats away from the original key in the circle of fifths, parallel keys are also considered as closely related keys as the tonal center is the same, and this makes this key have an affinity with the original key.
The first 30 measures of the Menuetto are in B ♭ major, the Minore is in G minor (the relative key of B-flat). The end of the Minore is marked Menuetto D.C. senza replica which means to play the Menuetto again, this time without taking the repeats. This is the shortest movement. [2]