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Ambient 1: Music for Airports is the sixth studio album by English musician Brian Eno, released in March 1978 by Polydor Records.It is the first of Eno's albums released under the label of ambient music, a genre of music intended to "induce calm and a space to think" while remaining "as ignorable as it is interesting".
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Background music (British English: piped music) is a mode of musical performance in which the music is not intended to be a primary focus of potential listeners, but its content, character, and volume level are deliberately chosen to affect behavioral and emotional responses in humans such as concentration, relaxation, distraction, and excitement.
Unlike relaxing forms of classical music, new-age music makes greater use of electronica and non-Western instrumentation. There is some debate on what can be considered "new-age music"; for example several musicians in Celtic music or Smooth jazz have expressed annoyance at being labeled "new-age musicians".
She performed all parts on the album, with diverse instrumentation including percussion, marimba, gong, reed organ, bells, ocarina, vibraphone, piano and glass Coca-Cola bottles. [46] Between 1988 and 1993, Éliane Radigue produced three hour-long works on the ARP 2500 which were subsequently issued together as La Trilogie De La Mort. [47]
[1] Nenad Georgievski of All About Jazz noted, "10 Years Solo Live doesn't feel like a compilation of selected performances put together, but the whole repertoire flows into a complete whole. Somehow these sound like a free-flowing single works. It's a beautiful release/box from a unique pianist who continually shows what the piano can do."
Tony Michael O'Connor (15 March 1961 – 23 May 2010) was an Australian composer, producer and performer of instrumental, new-age music.His music has sold over three and a half million copies worldwide, [1] releasing his debut album in 1987 and his last in 2007.
Despite a non-musical parentage, she had a self-professed musical itch from a young age, going as far as to knock on her neighbors’ doors to play their pianos by ear. [1] Eventually, Snider began formal music study, beginning piano at age 7 and cello at age 10.