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Copper-red saucer-dish with the reign mark of Zhengde (1506–1521). The Ming dynasty is normally dated as beginning in 1368, but there was a long revolt against the Yuan dynasty, and Jingdezhen was lost by them in 1352. [12]
The Ming dynasty (1368–1644) of China was known for its advanced and cultured society. The culture of the Ming dynasty was deeply rooted in traditional Chinese values, but also saw a flourishing of fine arts, literature, and philosophy in the late 15th century.
The porcelain produced was used for religious practices as embellishment objects. In addition to academic purposes including studying aesthetic value, leaning and erudition. [2] The production of the vase, like many other ceramics produced, was highly influenced by the cultural restoration that redefined and expanded the Ming Dynasty. [2]
From the Ming dynasty, porcelain objects were manufactured that achieved a fusion of glaze and body traditionally referred to as "ivory white" and "milk white". The special characteristic of Dehua porcelain is the very small amount of iron oxide in it, allowing it to be fired in an oxidising atmosphere to a warm white or pale ivory colour.
Jingdezhen dish of typical shape. Width: 18 5/8 in. (47.3 cm). For profile view see below. Kraak ware or Kraak porcelain (Dutch Kraakporselein) is a type of Chinese export porcelain produced mainly in the late Ming dynasty, in the Wanli reign (1573–1620), but also in the Tianqi (1620–1627) and the Chongzhen (1627–1644). [1]
The later emperors of the Ming dynasty like Jiajing and Wanli built more kilns in Jingdezhen. [4] There was more research on materials and techniques for the manufacture of porcelain during the Qing dynasty. [4] The high demand caused the Ming to realize that they needed to properly allocate and manage funds to establish a steady porcelain ...
Chu Đậu village in Hải Dương province was the major ceramic manufacturer [26] From 1436 to 1465, China’s Ming dynasty abruptly ceased trade with the outside world, creating a commercial vacuum that allowed Vietnamese blue-and-white ceramics to monopolize the markets for sometimes, especially in Maritime Southeast Asia.
Treck, showing late Ming blue and white porcelain export bowls, 1649. As valuable and highly prized possessions, pieces of Chinese export porcelain appeared in many 17th century Dutch paintings. [9] A still life by Jan Jansz. Treck includes two Kraak-style bowls, probably late Ming, one in the foreground of a type the Dutch called klapmuts. The ...