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After a failed attempt in the mid-60s by Mercury Records to present her as an all-round entertainer, she and Yester moved back to Laurel Canyon. She recorded another live album, The Death Defying Judy Henske, and several singles arranged and produced by Jack Nitzsche, including a version of Fred Neil's "The Dolphins" (as "Dolphins in the Sea"). [4]
The station switched its call letters to WHPY-FM to stand for the word "hippie." It changed its format to classic hits, branded as "Hippie Radio 94.5". WHPY-FM broadcasts music from the "hippie era." Most of its playlist received airplay on Top 40 stations from the 1960s through the 1980s.
Freak scene music was an eclectic mixture based around progressive rock and experimentalism. There were crossover bands bridging rock and jazz , rock and folk , rock and sci-fi ( space rock ). BBC radio presenter John Peel presented a nightly show that featured the music.
[60] [61] [62] Hippies were also vilified and sometimes attacked by punks, [63] revivalist mods, greasers, football casuals, Teddy Boys and members of other American and European youth cultures in the 1970s and 1980s. Hippie ideals were a marked influence on anarcho-punk and some post-punk youth cultures, such as the Second Summer of Love.
The young hippies were far more numerous, less wary, and had scarcely any inclination to keep their lifestyles concealed. The new music was loud and community-connected: bands sometimes presented free concerts in Golden Gate Park and "happenings" at the city's several psychedelic clubs and ballrooms. The many bands that formed signalled a shift ...
If 60's Were 90's is an album by techno-dance band Beautiful People featuring numerous samples from Jimi Hendrix songs. [2] It spawned the hits "Rilly Groovy," which reached number three on the Hot Dance Club Songs chart [1] and the title track "If 60's Were 90's", which reached number 74 on the UK Singles Chart [3] and number five on the Hot Dance Club Songs chart.
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An example of the cross-over of beat poetry and music can be seen when Burroughs appeared at the Phun City festival, organised in 24–26 July 1970 by Mick Farren with underground community bands including The Pretty Things, Kevin Ayers, Edgar Broughton Band, Pink Fairies, Shagrat, and, from the United States, the MC5.