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Renaissance dances belong to the broad group of historical dances, specifically those during the Renaissance period. During that period, there was a distinction between country dances and court dances. Court dances required the dancers to be trained and were often for display and entertainment, whereas country dances could be attempted by anyone.
Comical 18th-century country dance; engraving by Hogarth. A country dance is any of a very large number of social dances of a type that originated in England in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets.
Country dance (6 C, 9 P) Pages in category "Renaissance dance" The following 34 pages are in this category, out of 34 total.
Historical dance (or early dance) is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance , for pleasure at themed balls or dance clubs, as historical reenactment , or for musicological or historical research.
This is the main list of dances. It is a non-categorized, index list of specific dances. It may also include dances which could either be considered specific dances or a family of related dances. For example, ballet, ballroom dance and folk dance can be single dance styles or families of related dances. See following for categorized lists:
Regency Dance lessons at Westercon 58 Dancing through the ages - Time Traveler Ball with dances from the 15th to 20th century. The first major revival of English Country Dance, one of the major types of Regency dance, was by Englishman Cecil Sharp in the early 20th century. [5]
A courante rhythm [1]. The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era.In a Baroque dance suite an Italian or French courante is typically paired with a preceding allemande, making it the second movement of the suite or the third if there is a prelude.
2 time and is usually of moderate tempo, though the folk dances also use meters such as 9 8 and 5 8. [2] In late 16th-century Renaissance dance, the gavotte is first mentioned as the last of a suite of branles. Popular at the court of Louis XIV, it became one of many optional dances in the classical suite of dances.