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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
For over two thousand years readers have speculated as to the meaning of the themes running through the Book of Daniel: [16] The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In ...
The second chapter of the Book of Daniel tells how Daniel interpreted a dream of Nebuchadnezzar, king of Babylon. The king saw a gigantic statue made of four metals, from its gold head to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
A key passage is the interpretation of king Nebuchadnezzar's vision of a statue in Daniel 2. The sequence of world kingdoms is interpreted by Adventists as representing in turn Babylonia, Medo-Persia, Greece, and Rome (pagan Rome and later papal Rome). [13]
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth B. (3:1–30 ...
Daniel and his friends refuse the food and wine provided by the king of Babylon to avoid becoming defiled. They receive wisdom from God and surpass "all the magicians and enchanters of the kingdom." Nebuchadnezzar dreams of a giant statue made of four metals with feet of mingled iron and clay, smashed by a stone from heaven.
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Daniel is praying fervently, he reaches out to the right from the niche while his head turns up to God, the father depicted on the mosaic of the dome. The drapery is flowing in angular folds from the shoulders and across his loin. There are obvious thematic and visual parallels with the statue of Jonah by Lorenzetto in the chapel.