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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In Daniel 8, in keeping with the theme by which kings and kingdoms are symbolised by "horns", Daniel sees a goat with a single ...
A key passage is the interpretation of king Nebuchadnezzar's vision of a statue in Daniel 2. The sequence of world kingdoms is interpreted by Adventists as representing in turn Babylonia, Medo-Persia, Greece, and Rome (pagan Rome and later papal Rome). [13]
The historicist views of Daniel concern prophecies about the forces of evil viewed to have occurred as the four kingdoms of the image of Daniel 2, Babylon, Medo-Persia, Greece, and Rome. [43] Each kingdom had the symbol of an animal (beast), and the last beast of Daniel is considered to be the pagan Rome and the Papacy which goes till Christ ...
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Daniel and his friends refuse the food and wine provided by the king of Babylon to avoid becoming defiled. They receive wisdom from God and surpass "all the magicians and enchanters of the kingdom." Nebuchadnezzar dreams of a giant statue made of four metals with feet of mingled iron and clay, smashed by a stone from heaven.
A joint Egyptian-U.S. archaeological mission has uncovered the upper part of a huge statue of King Ramses II during excavations south of the Egyptian city of Minya, Egypt's tourism and antiquities ...
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]