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The Jaws soundtrack (officially Jaws: Original Motion Picture Soundtrack) is the music composed and conducted by John Williams for Steven Spielberg's 1975 film Jaws.The soundtrack is particularly notable for the 2-note ostinato which represents the shark, a theme so simple that Spielberg initially thought it was a joke by the composer.
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
From the deep, quickening heartbeat of “Jaws” to the astral opening blast of “Star Wars,” the music of John Williams not only earns its place among the most iconic film scores of all time ...
Brazilian jazz such as bossa nova is derived from samba, with influences from jazz and other 20th-century classical and popular music styles. Bossa is generally moderately paced, with melodies sung in Portuguese or English. The style was pioneered by Brazilians João Gilberto and Antônio Carlos Jobim. The related term jazz-samba describes an ...
In addition to Jaws, his films included, The Godfather, the Indiana Jones series, the Star Trek film series, The Lion King, Titanic, The Thin Red Line (1998 remake), The Matrix, Cats & Dogs, Forrest Gump, Air Force One, Back to the Future, A Bug's Life and Lethal Weapon. The Jaws solo was written in an extremely high range for the tuba. In a ...
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova.
"Soul Bossa Nova" Quincy Jones 2:44 2 "Boogie Bossa Nova" Charles Mingus: 2:41 3 "Desafinado" Antônio Carlos Jobim, Newton Mendonça: 2:53 4 "Manhã de Carnaval (Morning Of The Carnival)" Luiz Bonfá, Antonio Maria: 2:55 5 "Se É Tarde Me Perdoa (Forgive Me If I'm Late)" Ronaldo Bôscoli, Carlos Lyra: 4:21 6 "On the Street Where You Live"
The series' opening theme song, "A Cruel Angel's Thesis", has been described by Jack Doyle of The Mary Sue as "a baroque pop earworm". [26] The original composition, characterised by sounds similar to music of the second half of the 1980s, has also been remixed into various genres, such as techno, jungle [27] and traditional Japanese music. [28]