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In classical music, a definition of polyphony does not only mean just playing multiple notes at once but an ability to make audiences perceive multiple lines of independent melodies. Playing multiple notes as a whole, such as a rhythm from a chord pattern, is not polyphony but homophony.
Homophony began by appearing in sacred music, replacing polyphony and monophony as the dominant form, but spread to secular music, for which it is one of the standard forms today. Composers known for their homophonic work during the Baroque period include Claudio Monteverdi, Antonio Vivaldi, George Frideric Handel, and Johann Sebastian Bach.
It can be differentiated between two-, three- and four-voice polyphony. In Aromanian music, polyphony is common, and polyphonic music follows a set of common rules. [25] The phenomenon of Albanian folk iso-polyphony (Albanian iso-polyphony) has been proclaimed by UNESCO a "Masterpiece of the Oral and Intangible Heritage of Humanity".
Dense, complex polyphonic music, in which multiple independent melody lines were performed simultaneously (a popular example of this is the fugue), was an important part of many Baroque choral and instrumental works. Overall, Baroque music was a tool for expression and communication.
Although in music instruction certain styles or repertoires of music are often identified with one of these descriptions this is basically added music [clarification needed] (for example, Gregorian chant is described as monophonic, Bach Chorales are described as homophonic and fugues as polyphonic), many composers use more than one type of ...
Thus, one phrase might be soloistic, the next set in imitative polyphony, the next homophonic, the next an instrumental tutti, and so on. Alternatively, a chorus could declaim a text homophonically while violins played in an entirely different style at the same time – in a different register, in a different location in the church, all ...
In music, homorhythm (also homometer) is a texture having a "similarity of rhythm in all parts" [2] or "very similar rhythm" as would be used in simple hymn or chorale settings. [3] Homorhythm is a condition of homophony. [2] All voices sing the same rhythm. This texture results in a homophonic texture, which is a blocked chordal texture.
The Polyphonic era is a term used since the mid-19th century to designate an historical period in which harmony in music is subordinate to polyphony. [1] It generally refers to the period from the 13th to the 16th century. [ 2 ]