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The Piano Sonata No. 2 was written during a time where the sonata lost its overpowering dominance. While the sonatas of Beethoven and Mozart comprised a considerable portion of their compositional output, this is not true of the next generation of composers: Franz Liszt only wrote one sonata among his dozens of instrumental compositions, Robert Schumann seven (eight if including the Fantasie ...
Many classical compositions belong to a numbered series of works of a similar type by the same composer. For example, Beethoven wrote 9 symphonies, 10 violin sonatas, 32 piano sonatas, 5 piano concertos, 16 string quartets, 7 piano trios and other works, all of which are numbered sequentially within their genres and generally referred to by their sequence numbers, keys and opus numbers.
Piano Sonata No.2 op.17; Nikolai Kapustin. Piano Sonata No. 1 "Sonata-Fantasy" (1984) Nikolai Roslavets. Piano Sonata No. 1 (1914) — Published by Muzyka, 1990 (edited by Eduard Babasyan) Samuil Feinberg. Piano Sonata No. 3 op.3 in G Minor; Vasily Kalafati. Piano Sonata op.4 no.2 in D Minor; Alexei Stanchinsky. Piano Sonata No. 2 in G major ...
'F-A-E' Sonata; Frédéric Chopin. Piano Sonata No. 2 in B ♭ minor; Piano Sonata No. 3 in B minor; Paul Dukas. Piano Sonata in E-flat minor (1900) George Enescu. Sonata No. 1 for violin and piano in D major, Op. 2 (1897) Sonata No. 2 for violin and piano in F minor, Op. 6 (1899) Edvard Grieg. Three sonatas for Violin and Piano; Franz Liszt
Each Consolation is composed in either the key of E major or D ♭ major. E major is a key regularly used by Liszt for religious themes. [3] [4] There exist two versions of the Consolations. The first was composed by Liszt between 1844 and 1849 [5] and published in 1992 by G. Henle Verlag. [6]
Frédéric Chopin composed three piano sonatas, two of which were published in his lifetime, one posthumously. They are considered to be among Chopin's most difficult piano compositions both musically and technically. They cover a period of time from 1828 to 1844, reflecting Chopin's style changes.
Valse-caprice No. 2 in D ♭ major, Op. 38 (1884): Chopin's influence is marked in the first two pieces. Orledge observes that the right-hand figuration at the end of No. 1 is remarkably similar to that at the end of Chopin's Waltz in E minor. [68] In No. 2 Nectoux detects the additional influence of Liszt (Au bord d'une source) in the opening ...
Also, Chopin wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata. This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown ( B ), Krystyna Kobylańska ( KK ), Józef Michał Chomiński ( A , C , D , E ...