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Generic mode dial for digital cameras showing some of the most common modes. (Actual mode dials can vary; for example point-and-shoot cameras seldom have manual modes.) Manual modes: Manual (M), Program (P), Shutter priority (S), Aperture priority (A). Automatic modes: Auto, Action, Portrait, Night Portrait, Landscape, Macro. A dial with more modes
The following is a list of image resolutions implemented in the image sensors used in various digital cameras. Width (px) Height (px) Aspect ratio Actual pixel count
Most dSLRs and mirrorless cameras have a few manual settings and a small sample of automatic modes. On point-and-shoot cameras, all manual control may be condensed into one mode (e.g. ASP, for Aperture priority, Shutter priority, Program) or may be completely absent. Many compact cameras show a large array of scene modes.
Hardware and software ("firmware"), built into the camera, measures luminance of the subject and automatically sets shutter speed, lens aperture or sensitivity; this also allows the camera to set the aperture for manual lenses fixed with an AE chip. [4] AE-L or AEL: Automatic exposure lock. Technology for holding an exposure setting from one ...
The golf swing is a complex motion involving the whole body; the technicalities of the swing are known as golf stroke mechanics. There are differing opinions on what constitutes a "good" golf swing. [1] In Work and Power Analysis of the Golf Swing, Nesbit and Serrano suggest the golf swing has been studied by scientists and mathematicians who have
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Guide number distances are always measured from the flash device to the subject; if the flash device is detached from the camera, the position of the camera is irrelevant. Furthermore, unless a flash device has an automatic zoom feature that follows the setting of a camera's zoom lens, guide numbers do not vary with the focal length of lenses.
Motion pictures make limited use of aperture control; to produce a consistent image quality from shot to shot, cinematographers usually choose a single aperture setting for interiors (e.g., scenes inside a building) and another for exteriors (e.g., scenes in an area outside a building), and adjust exposure through the use of camera filters or ...