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Bagimu Negeri ; Bangun Pemudi-Pemuda (Alfred Simanjuntak) Bendera Kita (Dirman Sasmokoadi) Bungaku (Cornel Simanjuntak) Bendera Merah Putih ; Berkibarlah Benderaku ; Bhinneka Tunggal Ika (Binsar Sitompul/A. Thalib) Dari Sabang Sampai Merauke (R. Soerardjo) Di Timur Matahari (Wage Rudolf Soepratman) Dirgahayu Indonesia (Husein Mutahar)
Melaka Maju Jaya (pronounced [məlaka madʒu dʒaja]); "Malacca, Onwards Come!") is the official anthem of the Malaysia state of Malacca. [1] It was introduced and played for the first time on 31 August 1974 in conjunction with the state level independence day at that time.
During the Japanese occupation of the Dutch East Indies, he composed the song "Bagimu Negeri", later considered his most significant work. During the Indonesian National Revolution , Koesbini supported the republican government, and after the revolution concluded he operated his own music school while working for the Ministry of Teaching ...
"Allah Lanjutkan Usia Sultan" (pronounced [allah landʒutkan usia sultan]; "God Lengthen the Sultan's Age") is the state anthem of Perak, Malaysia.. The tune was originally that of "La Rosalie", a popular song in the Seychelles during the 19th century, originally written by French composer Pierre-Jean de Béranger.
The song was performed by non-natives (Australians) singing in both English and Malay. The lyrics present a love story setting between the two lovers. The B-side of the record is "Planting Rice", loosely based on the Filipino folk song Magtanim Ay 'Di Biro, also performed by Paul Lombard accompanied by a vocal chorus by Joan Wilton. This piece ...
The following year, he recorded "Lilin-Lilin Kecil" for the Prambors Radio Teenage Songwriting Competition (Lomba Cipta Lagu Remaja, or LCLR); [3] the song, written by James F. Sundah, became his signature song. [1]
In 1930, Syed Hamzah ibni al-Marhum Syed Safi Jamalullail, the fifth Raja of Perlis, and at the time serving as Vice President of the Perlis State Council, composed the tune to Amin, Amin, ya Rabiljalil.
Mawtini has been described as a reflection of the shared experiences and struggles of Arab peoples, evoking strong emotions tied to national pride, hardship, and the aspiration for freedom. It is regarded as a symbol of resistance and a representation of the collective longing for liberation during periods of occupation and oppression.