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VI is the fifth studio album by American hardcore punk band Circle Jerks, released in 1987 by Relativity Records.Taking into account the Circle Jerks' contribution to the documentary and soundtrack The Decline of Western Civilization, VI is the band's sixth major body of work.
Group Sex was met with generally positive reviews and ratings, and the album has been called a classic of the hardcore punk genre. Mark Deming of AllMusic stated, "As such things go, it's tight, reasonably well played, the songs kinda sorta have hooks, and Keith Morris is a pretty good frontman, but if you're looking for nuance, you're pretty ...
Daniel L. Carlin (born November 14, 1965) is an American podcaster and political commentator.Previously a professional radio host, Carlin hosts three popular independent podcasts: Hardcore History, Hardcore History: Addendum, and Common Sense, for which he received recognitions and awards, including best educational and history podcasts.
Hoover sound refers to a particular synthesizer sound in electronic music, commonly used in rave techno, hardcore techno, gabber, breakbeat hardcore, trance, hard house and hard NRG. Originally called the "Mentasm" , the name that stuck was the one likening the sound to that of a vacuum cleaner (often referred to via the genericized trademark ...
Kerrang! ranked the album at No. 19 in their list of "The 50 Best Albums From 1990", and stated that the album is "balanced on the centre-point between alt.metal, noise rock and post-hardcore." [20] Stereogum named the track "Sinatra" as one of the "30 Essential Noise Rock Tracks", and the album as "rough-hewn post-hardcore" and groove metal. [21]
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Tough guy hardcore (also known as New York-style hardcore or new school hardcore) is a subgenre of hardcore punk with prominent influences from thrash metal. It makes use of groove-driven, palm muted guitar riffs, breakdowns , lyrics discussing hatred, personal struggles, unity, and a vocal style influenced by hip hop and oi! .
Hardstyle mixes influences from techno, new beat and hardcore. Early hardstyle was typically written at 140 BPM ( beats per minute ); however, modern hardstyle is faster, produced around 150 BPM. It consisted of overdriven and hard-sounding kick drums, often accompanied by an offbeat bass, known as a "reverse bass".