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Gehazi was the servant of the prophet Elisha.He appears in connection with the history of the Shunammite woman and her son [2] and of Naaman the Syrian. On the latter occasion, Gehazi, overcome with avarice, obtained in the prophet's name two talents of silver and two valuable robes from Naaman.
Tzaraath (Hebrew: צָרַעַת ṣāraʿaṯ), variously transcribed into English and frequently translated as leprosy (though it is not Hansen's disease, the disease known as "leprosy" in modern times [1]), is a term used in the Bible to describe various ritually impure disfigurative conditions of the human skin, [2] clothing, [3] and houses. [4]
Sonnet 130 satirizes the concept of ideal beauty that was a convention of literature and art in general during the Elizabethan era. Influences originating with the poetry of ancient Greece and Rome had established a tradition of this, which continued in Europe's customs of courtly love and in courtly poetry, and the work of poets such as Petrarch.
It is still being used with that meaning in literature and especially in poetry. One famous example of such a celebratory poem, ironically rejecting each proposed stock metaphor, is William Shakespeare's Sonnet 130: My mistress' eyes are nothing like the sun; Coral is far more red than her lips' red; If snow be white, why then her breasts are dun;
That makes me white as snow No other fount I know Nothing but the Blood of Jesus Nothing but the Blood of Jesus. 2. For my cleansing this I see Nothing but the Blood of Jesus For my pardon this my plea Nothing but the Blood of Jesus. 3. Nothing can for sin atone Nothing but the Blood of Jesus Naught of good that I have done Nothing but the ...
Leprosy has historically been associated with social stigma, which continues to be a barrier to self-reporting and early treatment. [4] Leprosy is classified as a neglected tropical disease. [21] World Leprosy Day was started in 1954 to draw awareness to those affected by leprosy. [22] [4] The study of leprosy and its treatment is known as ...
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
The poem depicts a ceremony held on Ascension Day, which in England was then called Holy Thursday, [2] [3] [4] a name now generally applied to what is also called Maundy Thursday: [5] Six thousand orphans of London's charity schools, scrubbed clean and dressed in the coats of distinctive colours, are marched two by two to St Paul's Cathedral ...