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In music, the BACH motif is the motif, a succession of notes important or characteristic to a piece, B flat, A, C, B natural. In German musical nomenclature , in which the note B natural is named H and the B flat named B , it forms Johann Sebastian Bach 's family name .
The C. F. E. BACH motif appears in an unpublished Fughetta in F major, by C. Ph. E. Bach himself.The composition was found in the Brussels Conservatorium by the Hungarian musicologist, Katalin Komlós in an unpublished manuscript, called Miscellanea Musica (B Bc 5895), which contains various compositional sketches, contrapunctal studies, thoroughbass exercises, modulation and chord progression ...
The prelude continues like so for 33 bars, with different harmony and changes of key.The coda begins at the 34th bar, where a sudden change of texture and tempo occurs. In the first bar of the coda, an arpeggiated chord is followed by a rapid succession of thirty-second notes.
The most common musical cryptogram is the B-A-C-H motif, which was used by Johann Sebastian Bach himself, by his contemporaries and by many later composers. Other note names were derived by sound, for example E ♭, 'Es' in German, could represent 'S' and A ♭ the digraph 'As'.
For more Bach transcriptions by Busoni, see: List of adaptations by Ferruccio Busoni#Transcriptions (BV B 20 to 115) Bach-Busoni Editions; Charles Gounod's Ave Maria is based on Prelude No. 1 of Book I of The Well-Tempered Clavier. Francisco Tárrega transcribed a variety of Bach works, including his Fugue from Violin Sonata No. 1, BWV 1001
For an overview of such resources used by Bach, see individual composition articles, and overviews in, e.g., Chorale cantata (Bach)#Bach's chorale cantatas, List of chorale harmonisations by Johann Sebastian Bach#Chorale harmonisations in various collections and List of organ compositions by Johann Sebastian Bach#Chorale Preludes. 10 BD
Moreover, the four chords above contain the note sequence B (B ♭) – A – C – H (B ♮), the BACH motif, thus connecting the piece to Johann Sebastian Bach, whose music plays a crucial role in the piece. The row's last four notes, ascending whole tones, are also the first four notes of the chorale melody "Es ist genug" ("It is enough").
Johann Sebastian Bach in 1746, holding his canon triplex a 6 voci, BWV 1076.Oil painting by Elias Gottlob Haussmann.. The Canonic Variations on "Vom Himmel hoch da komm' ich her" ("From Heaven above to Earth I come"), BWV 769, are a set of five variations in canon for organ with two manuals and pedals by Johann Sebastian Bach on the Christmas hymn by Martin Luther of the same name.