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The song has been described as psychedelic rock, [5] [6] psychedelic soul [7] [8] and acid rock, [9] and features a fuzz guitar twinned with a clean one. [10] Various other effects were employed in its recording and production, including the alternate striking of two cow bells producing a "tick-tock" sound, warped throughout most of the song by reverb, echo and changes in tempo.
The book Midnight's Children by Salman Rushdie has a reference to this speech [6] as does the novel Train to Pakistan by Khushwant Singh. [ 7 ] The speech is sampled by trance artist John 00 Fleming in the album One Hundred Ten WKO during the fifth track, "The Stroke of the Midnight Hour".
Within Hinduism, Jainism, Buddhism, and other philosophical strands, the concept has multiple meanings depending on its doctrinal context. It is either an ontological feature of reality, a meditative state, or a phenomenological analysis of experience. Sutra Refers to an aphorism or a collection of such aphorisms in the form of a book or text ...
An idol of Goddess Saraswati prepared for Vasanta Panchami in the streets of Kolkata. Vasanta, also referred to as Basant, refers to the Indian spring. One of the main festivals of the Vasanta season is celebrated on Vasanta Panchami, which in Indian society is a cultural and religious festival, celebrated annually on the first day of spring, the fifth day (Panchami) of the Hindu month Magha ...
Vasant is a Sanskrit word for "spring". The word is much older than the Sikh religion and any usage of the word in relation to melody or Sikh tradition is a later rendition of the word. The variants noted in the Holy Book are Basant-Hindol and Shudh Basant which also called Desi Basant in the local language. Basant is a very old raga dating ...
A core sacred text of Hinduism and philosophy. [15] Bhagavata Purana: one of the "Maha" Puranic texts of Hindu literature, and is Sanskrit for "The Book of God". Bharude, Ovya: devotional poetry. Bhavarth Ramayan: Marathi version of the Ramayana written by Sant Eknath in the 16th century
"In The Bazaars of Hyderabad" is a poem by Indian Romanticism and Lyric poet Sarojini Naidu (1879–1949). The work was composed and published in her anthology The Bird of Time (1912)—which included "Bangle-sellers" and "The Bird of Time", it is Naidu's second publication and most strongly nationalist book of poems, published from both London and New York City.
from charpoy चारपाई,چارپائی Teen payi (तीन पाय) in Hindi-Urdu, meaning "three legged" or "coffee table". [26] Thug from Thagi ठग,ٹھگ Thag in Hindi-Urdu, meaning "thief or con man". [27] Tickety-boo possibly from Hindi ठीक है, बाबू (ṭhīk hai, bābū), meaning "it's all right, sir". [28]