Search results
Results From The WOW.Com Content Network
Color symbolism in art, literature, and anthropology is the use of color as a symbol in various cultures and in storytelling. There is great diversity in the use of colors and their associations between cultures [ 1 ] and even within the same culture in different time periods. [ 2 ]
Color psychology is the study of colors and hues as a determinant of human behavior. Color influences perceptions that are not obvious, such as the taste of food. Colors have qualities that may cause certain emotions in people. [1] How color influences individuals may differ depending on age, gender, and culture. [2]
A blue flower (German: Blaue Blume) was a central symbol of inspiration for the Romanticism movement, and remains an enduring motif in Western art today. [1] It stands for desire , love , and the metaphysical striving for the infinite and unreachable.
The taijitu uses black and white or red to represent the unity of yin and yang. Ancient Chinese people regarded black as the king of colors and honored black more consistently than any other color. Laozi said "know the white, keep the black", and Taoists believe black is the color of the Tao. [citation needed]
The color spectrum clearly exists at a physical level of wavelengths (inter al.), humans cross-linguistically tend to react most saliently to the primary color terms (a primary motive of Bornstein's work and vision science generally) as well as select similar exemplars of these primary color terms, and lastly comes the process of linguistic ...
Light spectrum, from Theory of Colours – Goethe observed that colour arises at the edges, and the spectrum occurs where these coloured edges overlap.. Theory of Colours (German: Zur Farbenlehre) is a book by Johann Wolfgang von Goethe about the poet's views on the nature of colours and how they are perceived by humans.
On Colors (Greek Περὶ χρωμάτων; Latin De Coloribus) is a treatise attributed to Aristotle [1] but sometimes ascribed to Theophrastus or Strato.The work outlines the theory that all colors (yellow, red, purple, blue, and green) are derived from mixtures of black and white.
Blue was a latecomer among colors used in art and decoration, as well as language and literature. [7] [verification needed] Reds, blacks, browns, and ochres are found in cave paintings from the Upper Paleolithic period, but not blue. Blue was also not used for dyeing fabric until long after red, ochre, pink and purple.