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Modern child in Mexican parade wearing modern day charro attire on horse outfitted in vaquero-derived equipment including wide, flat-horned saddle, bosalita and spade-type bit, carrying romal reins and reata. The Spanish tradition evolved further in what today is Mexico, and the Southwestern United States.
The "charro film" was a genre of the Golden Age of Mexican cinema between 1935 and 1959, and probably played a large role in popularizing the charro, akin to what occurred with the advent of the American Western. The most notable charro stars were José Alfredo Jiménez, Pedro Infante, Jorge Negrete, Antonio Aguilar, and Tito Guizar. [22]
All equipment on the saddle must be made of natural materials, not man-made such as plastic. There are primarily two types of saddles that the charro owns: the working saddle and the formal saddle. The saddle of the charro has a wider horn than that of a western saddle, which helps safeguard the charro from being pitched off or hung up. There ...
Endurance saddle: Lighter weight than most western saddles, often without a horn, has a tree that spreads the rider's weight out over a large area of the horse's back, thus reducing pounds per square inch. Often has stirrups hung slightly farther forward, to allow rider to get off the horse's back when traveling at faster speeds.
The western saddle allows the weight of the rider to be spread over a larger area of the horse's back which makes it more comfortable, especially for long days chasing cows. The English saddle is designed to allow the rider to have closer contact with the horse's back (Wilson, 2003). [2] The western saddle also usually has a saddle horn ...
The cowboy aesthetic is still having a moment. Even outside the South and West, people donned glitter cowboy hats and boots à la “Cowboy Carter.” They wore black-and-pink Wild West outfits ...