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Some calligraphers and hand-letterers say that calligraphy created with brush pens becomes lettering or faux-calligraphy, [15] but others believe that the approach used to create the letters is more important than the tools used to do so. [1] [16] Typography is the use of type in a repeating system, where each instance of the same letter looks ...
Invisible ink, also known as security ink or sympathetic ink, is a substance used for writing, which is invisible either on application or soon thereafter, and can later be made visible by some means, such as heat or ultraviolet light.
The darker blocks are images. The whole bed of type is printed on a single sheet of paper, which is then folded and cut to form many individual pages of a book. The general form of letterpress printing with a platen press shows the relationship between the forme (the type), the pressure, the ink, and the paper.
Quality writing had a rhythm and regularity to the letters, with a "geometrical" order of the lines on the page. Each character had, and often still has, a precise stroke order. Sacred Western calligraphy has some unique features, such as the illumination of the first letter of each book or chapter in medieval times. A decorative "carpet page ...
The ink used for the interlinear additions is different from the ink in the main body of the will, but it is the same ink that is used by the four witnesses that signed the will. [ 41 ] [ 42 ] Handwriting in a letter signed by the Earl of Southampton
A stereotype mold ("flong") being made Stereotype casting room of the Seattle Daily Times, c. 1900. In printing, a stereotype, [note 1] stereoplate or simply a stereo, is a solid plate of type metal, cast from a papier-mâché or plaster mould taken from the surface of a forme of type.
Rubrication is the addition of text in red ink to a manuscript for emphasis. Practitioners of rubrication, so-called rubricators or rubrishers, were specialized scribes who received text from the original scribe. Rubrication was one of several steps in the medieval process of manuscript making.
A pencil drawing can have many shades of grey depending on the hardness of the graphite and the pressure applied by the artist, but an ink line generally can be only solid black. Accordingly, the inker has to translate pencil shading into patterns of ink, for example by using closely spaced parallel lines, feathering, or cross-hatching. The ...