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Biblical Songs was written between 5 and 26 March 1894, while Dvořák was living in New York City. It has been suggested that he was prompted to write them by news of a death (of his father Frantisek, or of the composers Tchaikovsky or Gounod, or of the conductor Hans von Bülow); but there is no good evidence for that, and the most likely explanation is that he felt out of place in the ...
Psalm 14 (1902, 1912–13) Psalm 24 (1901, 1912–13) Psalm 25 (1901, 1912–13) Psalm 42 (1891–92) Psalm 54 (1902) Psalm 67 (1898–99) Psalm 90 (1923–24) Psalm 100 (1902) Psalm 135 (1902, 1912–13) Psalm 150 (1898–99) Other sacred works. All-Forgiving, look on me; Anthem: With Hearts Rejoicing Ever; Be Thou, O God, Exalted High ...
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul.". The Book of Psalms is part of the third section of the Hebrew Bible , and a book of the Christian Old Testament .
O clap your hands, motet for chorus and orchestra, text from Psalm 47 (1920) [13] Lord, thou hast been our refuge, motet for chorus, semi chorus and orchestra (or organ); text from Psalm 90 (1921) "Ca' the yowes" for tenor and chorus (1922), a setting of the folk song by Isabel Pagan/Robert Burns [14] Mass in G minor for unaccompanied choir (1922)
Chamber music: 23: 1897: Scherzo: for 2 violins, 2 violas and cellos: Chamber music: 1901–1902: 6 Solos: Nos. 1-5: for violin: Chamber music: 51: 1902? Lied ohne Worte: for violin and piano: Chamber music: 52: 1903? A Spring Song: for violin (or cello) and piano: Chamber music: 53: 1903: Ländler: for 2 violins and piano: Chamber music: 54: ...
God is love, let Heav'n adore him − Hymn Tune, Twigworth (1964) God be in my head for SATB unaccompanied (1966) Benedictus es, Domine for SATB & Organ (1967) Preces and Responses for SATB unaccompanied (1967) Lord By Whose Breath All Souls and Seeds are Living - Hymn Tune, Erwin (publ. 1967) O Holy City seen of John − Hymn Tune, Sancta ...
The Lord is my life and my help (2004), for unaccompanied unison voices chant – introit; Remember your mercies, Lord (2004), for unaccompanied voices Entrance Antiphon – chant; Bless the Lord, my soul (2005), for S.A.T.B. choir responsorial psalm; Nemo te condemnavit (2005), for a cappella S.A.T.B. choir
The Allmusic review by Richard S. Ginell awarded the album five stars and stated "the concert taps into Ellington's roots in showbiz and African-American culture as well as his evidently deep religious faith, throwing it all together in the spirit of universality and sealing everything with the stamps of his musical signatures".