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It shows the rigidity of the rug which based on the number of strings used for the foundation of the rug. Strings materials are usually made of cotton or silk which is used for very fine rugs. Tabriz has one of the most diverse displays of designs from medallion, Herati/Mahi, to figural, pictorial, and even 3-d shaped rugs.
Soumak flat-weave rug from Quba Rayon or Daghestan, mid-19th century. Caucasian carpets and rugs are primarily made in villages, rather than in cities. [ 1 ] They are made from materials particular to individual tribal provinces, the rugs of the Caucasus normally display bold geometric designs in primary colors.
Tibetan khaden (sleeping rugs) with designs typical of 19th century weavings. Tibetan carpets from the 19th century (perhaps earlier, though mostly carpets from the 19th century survive) are relatively restrained in terms of design and coloring, carpet makers at that time being restricted to a narrow range of natural dyes including madder (red), indigo (blue), Tibetan rhubarb (yellow) and ...
The Mina Khani design is often seen on Varamin rugs. The Shah Abbasi design is composed of a group of palmettes. Shah Abbasi motifs are frequently seen in Kashan, Isfahan, Mashhad and Nain rugs. The Bid Majnūn, or Weeping Willow design is in fact a combination of weeping willow, cypress, poplar and fruit trees in rectilinear form. Its origin ...
A Turkish kilim is a flat-woven rug from Anatolia.Although the name kilim is sometimes used loosely in the West to include all type of rug such as cicim, palaz, soumak and zili, in fact any type other than pile carpets, the name kilim properly denotes a specific weaving technique.
In some cases the oblong panels contain rows of stylized cypresses, palm trees, and an umbrella-shaped leaf design, a common motif in Mamluk carpets; for example, the Kelekian Mamluk rug owned by the Textile Museum in Washington D.C. datable to the first half of the sixteenth century. The outer borders, a chief identifying feature of all Mamluk ...