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Henri Biva (23 January 1848 – 2 February 1929) was a French artist, known for his landscape paintings and still lifes. He focused primarily on the western suburbs of Paris, painting outdoors in the plein-air tradition; his style ranging between Post-Impressionism and Realism with a strong Naturalist component. Biva's pictures are ...
Katharine Cameron RWS RE (26 February 1874 – 21 August 1965) was a Scottish artist, watercolourist, and printmaker, best known for her paintings and etchings of flowers. [1] She was associated with the group of artists known as the Glasgow Girls .
Perpetua (Pip) Pope (29 May 1916 – 31 May 2013) was a Scottish painter of landscapes, flower pieces and still-life compositions in both oil and watercolours, and was also an art teacher in Edinburgh. [1]
Georgia Totto O'Keeffe (November 15, 1887 – March 6, 1986) was an American modernist painter and draftswoman whose career spanned seven decades and whose work remained largely independent of major art movements.
Sir Hans Heysen OBE (8 October 1877 – 2 July 1968) was an Australian artist. One of Australia's best known landscape painters, [1] Heysen became a household name during his lifetime for his watercolours and oil paintings of the Australian bush, in particular men and animals toiling among monumental gum trees against a background of ...
In 1804 Cox was promised work by the theatre impresario Philip Astley and moved to London, taking lodgings in 16 Bridge Row, Lambeth. [13] Although he was unable to get employment at Astley's Amphitheatre it is likely that he had already decided to try to establish himself as a professional artist, and apart from a few private commissions for painting scenery his focus over the next few years ...
Luminism is a style of American landscape painting of the 1850s to 1870s, characterized by effects of light in a landscape, through the use of aerial perspective and the concealing of visible brushstrokes. Luminist landscapes emphasize tranquility, often depicting calm, reflective water and a soft, hazy sky.
The New York Times art critic Roberta Smith praised Wilson's recent work in 2009: "DC Moore Gallery is showing Jane Wilson's latest luminous landscapes, which may be her best. They relegate land or water to a low-lying narrow strip to let light and clouds work their soft magic.