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In 2005 Ebert added Woodstock to his "Great Movies" list and wrote a retrospective review that stated, "Woodstock is a beautiful, moving, ultimately great film...Now that the period is described as a far-ago time like "the 1920s" or "the 1930s," how touching it is in this film to see the full flower of its moment, of its youth and hope." [17]
The site's consensus states: "Featuring numerous 60s-era clichés, but little of the musical magic that highlighted the famous festival, Taking Woodstock is a breezy but underwhelming portrayal." [9] and a 55% on Metacritic. [10] However, the movie has a higher rating of 6.7/10 on IMDb.
Taking Woodstock: A True Story of a Riot, a Concert and a Life is a memoir describing the origins of the 1969 Woodstock Festival by Elliot Tiber with Tom Monte. It was published in 2007 by Square One Publishers, Inc., and was adapted into a film of the same name by James Schamus, Ang Lee's long time writing/producing partner.
In August 1994, twenty-four years after its original showing, a 228-minute "director's cut" of Woodstock was released, and in 1999, another Woodstock-based documentary, Jimi Hendrix: Live at Woodstock, gave Wadleigh another archive footage credit for cinematography.
Today (July 23) marks the 22nd anniversary of Woodstock ‘99 festival, and a new HBO documentary fittingly titled “Woodstock 99: Peace, Love, and Rage” takes audiences back to the violence ...
It focused on Woodstock's social and political context and contained previously unseen footage supplemented by voice-over anecdotes from people at the festival. It focused more on the scenes in the crowd (and around the country) than on the stage. [116] Creating Woodstock was directed by Mick Richards and produced in 2019. It looked at how the ...
A new live album documents the first tour by Crosby, Stills, Nash & Young. 'We were a brand-new band just learning to play,' says Stephen Stills.
A documentary about 1969’s Harlem Cultural Festival, which featured performances from Nina Simone, Stevie Wonder, Sly and the Family Stone, and more