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At the beginning of 1797 after the poem was published, Coleridge was attempting to complete his long poem titled The Destiny of Nations. A Vision for a 1797 edition of his poems. When Coleridge was no longer able to complete the poem, he replaced it with Ode to the Departing Year in the collection.
The poem was first performed at the Six Gallery in San Francisco on October 7, 1955. [14] Ginsberg had not originally intended the poem for performance. The reading was conceived by Wally Hedrick—a painter and co-founder of the Six—who approached Ginsberg in mid-1955 and asked him to organize a poetry reading at the Six Gallery.
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
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The Hunting of the Snark, subtitled An Agony, in Eight fits, is a poem by the English writer Lewis Carroll.It is typically categorised as a nonsense poem.Written between 1874 and 1876, it borrows the setting, some creatures, and eight portmanteau words from Carroll's earlier poem "Jabberwocky" in his children's novel Through the Looking-Glass (1871).
In the poem, Longfellow also refers to the Old Stone Mill in Touro Park in Newport, Rhode Island, also known as the Newport Tower. Some suggest that the stone structure dates back to the Viking exploration of North America, though it is more likely it was built in the seventeenth century during the time of Governor Benedict Arnold .
J. R. R. Tolkien wrote "Mythopoeia" following a discussion on the night of 19 September 1931 that took place at Magdalen College, Oxford with C. S. Lewis and Hugo Dyson. Lewis said that myths were "lies breathed through silver". Tolkien's poem explained and defended creative myth-making.
However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment .