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"Need Your Loving Tonight" is a song by the rock band Queen and written by bass guitarist John Deacon. It is the fourth track on the first side of their 1980 album The Game and the second song on the album by Deacon (the other being "Another One Bites the Dust").
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
The song was written in the key of B minor, [3] but the recording sounds one semitone lower. The song was performed at Live Aid as an encore, with additional instruments and arrangements in the last part; changes were also present in the vocal line. A month before their Live Aid appearance, "Is This the World We Created…?"
"Las Palabras de Amor (The Words of Love)" is a rock ballad by the British rock band Queen. It was released as the third single from their 1982 album Hot Space . It is sung mostly in English, but with several Spanish phrases.
Fuentes wrote most of the songs, and co-wrote three songs with former A Day to Remember guitarist Tom Denney. A Day to Remember frontman Jeremy McKinnon was featured on the track "Caraphernelia", which had a music video released on September 28, 2010. "Bulletproof Love" was released as the follow-up music video on July 7, 2011.
The entire song was reportedly recorded in less than half an hour (although Mack says it was six hours). [18] Having written "Crazy Little Thing Called Love" on guitar and played an acoustic rhythm guitar on the record, for the first time ever Mercury played guitar in concerts, for example at Live Aid at Wembley Stadium, London in 1985.
"Save Me" is a song by the British rock band Queen from their 1980 album The Game. Written by guitarist Brian May, it was recorded in 1979, and released in the UK on 25 January 1980, nearly six months prior to the release of the album.
"Body Language" is notable for its near lack of guitar; atmospheric guitar chords sparingly dot the body of the song, while a brief two-note riff is heard during the fade out. The song's key feature was its minimal, sparse production, with the emphasis of "suggestive" lyrics, a "slinky" synth bass (played on an Oberheim OB-X ), and writer ...