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A film treatment (or simply treatment) is a piece of prose, typically the step between scene cards (index cards) and the first draft of a screenplay for a motion picture, television program, or radio play.
A documentary film is a film story concerning factual topics (i.e. someone or something). These films have a variety of aims: to record specific events and ideas; to inform viewers; to convey opinions and to create public interest. A number of common techniques or conventions are used in documentaries to achieve these aims.
Burns has credited documentary filmmaker Jerome Liebling for teaching him how still photographs could be incorporated into documentary films. [6] He has also cited the 1957 National Film Board of Canada documentary City of Gold, [7] co-directed by Colin Low and Wolf Koenig, as a prior example of the technique.
Documentary practice is the process of creating documentary projects. It refers to what people do with media devices, content, form, and production strategies in order to address the creative, ethical, and conceptual problems and choices that arise as they make documentary films or other similar presentations based on fact or reality.
Most themes are implied rather than explicitly stated, regardless of whether their presence is the conscious intent of the producer, writer, or director. Inclusion of a treatment of a film's themes—well-sourced and cited to avoid original research—is encouraged since an article's value to a reader and its real-world context will be enhanced ...
Formalist film theory is an approach to film theory that is focused on the formal or technical elements of a film: i.e., the lighting, scoring, sound and set design, use of color, shot composition, and editing. This approach was proposed by Hugo Münsterberg, Rudolf Arnheim, Sergei Eisenstein, and Béla Balázs. [1]
What addicts face is a revolving door, an ongoing cycle of waiting for treatment, getting treatment, dropping out, relapsing and then waiting and returning for more. Like so many others, Tabatha Roland, the 24-year-old addict from Burlington, wanted to get sober but felt she had hit a wall with treatment.
A spec script, also known as a speculative screenplay, is a non-commissioned and unsolicited screenplay.It is usually written by a screenwriter who hopes to have the script optioned and eventually purchased by a producer, production company, or studio.