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The meander is a fundamental design motif in regions far from a Hellenic orbit: labyrinthine meanders ("thunder" pattern [3]) appear in bands and as infill on Shang bronzes (c. 1600 BC – c. 1045 BC), and many traditional buildings in and around China still bear geometric designs almost identical to meanders.
The drawing of uri was once practiced throughout most of Igboland, although by 1970 it had lost much of its popularity, and was being kept alive by a handful of contemporary artists. [7] However, uli does continue to be practiced by some artists within Nigeria, [ 7 ] some of whom have begun producing traditional designs on canvas. [ 8 ]
The arabesques and geometric patterns of Islamic art are often said to arise from the Islamic view of the world (see above). The depiction of animals and people is generally discouraged, which explains the preference for abstract geometric patterns. There are two modes to arabesque art.
Serpentine lines from Hogarth's The Analysis of Beauty. Line of beauty is a term and a theory in art or aesthetics used to describe an S-shaped curved line (a serpentine line) appearing within an object, as the boundary line of an object, or as a virtual boundary line formed by the composition of several objects.
[1] This fusion of drawing, narrative, and pattern coalesced in Marks’ aesthetic, and on December 6, 2000, Marks experienced a significant shift in her thinking: “My drawings told me they had to be sewn.” She also decided that simple hand-sewing or hand embroidery would not work to get what she was after, and that mastering the properties ...
Dante Gabriel Rossetti's drawing room at No. 16 Cheyne Walk, 1882, by Henry Treffry Dunn. Victorian decorative arts refers to the style of decorative arts during the Victorian era. Victorian design is widely viewed as having indulged in a grand excess of ornament.
Use a whimsical pattern to draw attention to the window above the sink. Here, LH.Designs creates contrast with a floral print against white walls and cabinetry. Photo by: Lauren Taylor.
The complexity and variety of patterns used evolved from simple stars and lozenges in the ninth century, through a variety of 6- to 13-point patterns by the 13th century, and finally to include also 14- and 16-point stars in the sixteenth century. Geometric patterns occur in a variety of forms in Islamic art and architecture.