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The elites, however, taking advantage of a period of peace, knew how to separate political and aesthetic issues, visiting France as tourists, encouraging the migration of French craftsmen, and importing large quantities of decorative objects and rococo art pieces, while the rest of the population tended to view everything French with disdain.
Rococo The Prodigal Son Living with Harlots by Johann Wolfgang Baumgartner The Assumption and Crowning of Mary, painted ceiling in the transept of Baitenhausen church, 1760 Johann Wolfgang Baumgartner (1702 in Ebbs , Tirol - 7 September 1761 in Augsburg ) was an Austrian - German Rococo painter .
Baumgarten developed aesthetics to mean the study of good and bad "taste", thus good and bad art, linking good taste with beauty. By trying to develop an idea of good and bad taste, he also in turn generated philosophical debate around this new meaning of aesthetics.
Rococo, less commonly Roccoco (/ r ə ˈ k oʊ k oʊ / rə-KOH-koh, US also / ˌ r oʊ k ə ˈ k oʊ / ROH-kə-KOH; French: or ⓘ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and trompe-l'œil frescoes to create surprise and ...
The term aesthetics was appropriated and coined with new meaning by the German philosopher Alexander Baumgarten in his dissertation Meditationes philosophicae de nonnullis ad poema pertinentibus (English: "Philosophical considerations of some matters pertaining the poem") in 1735; [7] Baumgarten chose "aesthetics" because he wished to emphasize ...
Writers of the Decadent movement used the slogan "Art for Art's Sake" (L'art pour l'art), the origin of which is debated. Some claim that it was created by the philosopher Victor Cousin , although Angela Leighton notes that it was used by Benjamin Constant as early as 1804 in the work On Form: Poetry, Aestheticism and the Legacy of a Word (2007 ...
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which trompe-l'œil, perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two ...
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