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Still Life is a 2021 novel by Sarah Winman, set in London, England and Florence, Italy. It was a Sunday Times bestseller, BBC "Between the Covers" pick and a BBC Radio 4 "Book at Bedtime" selection. [1] Winman won the £10,000 inaugural InWords Literary Award, given to 'a novel published in English or a writer's body of work'. [1]
Winman's second novel, A Year of Marvellous Ways (2015), was published on 18 June 2015. [3] Winman's third novel, Tin Man, [4] was published on 27 July 2017 and shortlisted for the 2017 Costa Book Awards. [5] Winman's fourth novel, Still Life, was published on 1 June 2021. Winman is an openly lesbian woman, who came out in the early 80’s. [6]
Still Life (Winman novel), a 2021 novel by Sarah Winman; Still Life, a 2009 novel by Joy Fielding; The Still Life, a novel by David Chase "Still-Life", a short story by Barry N. Malzberg (writing as K.M. O'Donnell), included in the 1972 anthology Again, Dangerous Visions
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Sarah Weinman is a journalist, editor, and crime fiction authority. [1] She has most recently written The Real Lolita: The Kidnapping of Sally Horner and the Novel That Scandalized the World about the kidnapping and captivity of 11-year-old Florence Sally Horner by a serial child molester, a crime believed to have inspired Vladimir Nabokov's Lolita.
Still Life is a short play in five scenes by Noël Coward, one of ten plays that make up Tonight at 8.30, a cycle written to be performed across three evenings. [ n 1 ] One-act plays were unfashionable in the 1920s and 30s, but Coward was fond of the genre and conceived the idea of a set of short pieces to be played across several evenings.
Outer Banks stars Chase Stokes and Madelyn Cline’s relationship may have not lasted, but their character onscreen romance is forever. Stokes and Cline portray John B Rutledge and Sarah Cameron ...
Still Life with Books (Dutch: Stilleven met boeken) is a c. 1627–1628 oil-on-panel painting by Dutch artist Jan Lievens. The painting is an example of the Dutch vanitas genre and an example of Dutch realism. The painting was privately owned until it was purchased by the Rijksmuseum in 1963.