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Schwarz et al. conducted a review over the published literature concerning the effects of music and dance therapy to patients with Huntington's disease. The fact that music is able to enhance cognitive and motor abilities for activities other than those of music related ones suggests that music may be beneficial to patients with this disease. [13]
The bouncing ball is an especially interesting hybrid system, as it exhibits Zeno behavior. Zeno behavior has a strict mathematical definition, but can be described informally as the system making an infinite number of jumps in a finite amount of time. In this example, each time the ball bounces it loses energy, making the subsequent jumps ...
The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.
Music can dissolve fears of closeness because its nonverbal nature allows an intimacy that is nonthreatening. Music, in most cases, is sound without associated threat. The shared musical experience can be a form of structured reality upon which the therapist and the patient can form a relationship with some confidence.
"In time with the music: The concept of entrainment and its significance for ethnomusicology" (PDF). ESEM Counterpoint. 1: 1– 82. Archived from the original (PDF) on 2008-12-17; Collins, Randall (March 2013). "Entering and leaving the tunnel of violence: Micro-sociological dynamics of emotional entrainment in violent interactions".
Simon Vouet, Saint Cecilia, c. 1626. Research into music and emotion seeks to understand the psychological relationship between human affect and music.The field, a branch of music psychology, covers numerous areas of study, including the nature of emotional reactions to music, how characteristics of the listener may determine which emotions are felt, and which components of a musical ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The first mathematical definition of gesture is given in the paper "Formulas, Diagrams, and Gestures in Music" (Journal of Mathematics and Music, Vol 1, Nr. 1 2007) by Guerino Mazzola (University of Minnesota) and Moreno Andreatta (IRCAM in Paris). A gesture is a configuration of curves in space and time.