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Claymation, sometimes called clay animation or plasticine animation, is one of many forms of stop-motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually plasticine clay .
It blurs the distinction between clay animation, cel animation and cutout animation. Clay painting animation (which is also a variation of the direct manipulation animation process), is animation where clay is placed and flattened on a flat supporting surface and moved like "wet" oil paints as on a traditional artistic canvas to produce any ...
Clay animation films. Subcategories. This category has the following 3 subcategories, out of 3 total. C. Chicken Run (franchise) (3 P, 3 F) S. Shaun the Sheep films ...
Henry Selick was in charge of the film's clay animation visual effects. [2] C: Mary and Max: 2009: Adam Elliot: H: Me and Earl and the Dying Girl: 2015: Alfonso Gomez-Rejon: The film features sequences that are clay animated. [3] C: Memoir of a Snail: 2024 Adam Elliot: C: Modeling: 1921: Max Fleischer: Part of the animated film series Out of ...
Closed Mondays is an eight-minute [2] clay animation film, created by Bob Gardiner and filmed by Will Vinton in 1974. [3] It was produced by Lighthouse Productions, released by Pyramid Films in the United States, and won the Academy Award for Best Animated Short Film in 1975. [2] [4] [5]
Art Clokey also made a few highly experimental and visually inventive short clay animation films for adults, including his first student film Gumbasia (produced in 1953 and released in 1955), the visually rich Mandala (1977)—described by Clokey as a metaphor for evolving human consciousness—and the equally bizarre The Clay Peacock (1959), an elaboration on the animated NBC logo of the time.
Strata-cut animation, also spelled stratcut or straticut, is a form of clay animation, itself one of many forms of stop motion animation.. Strata-cut animation is most commonly a form of clay animation in which a long bread-like "loaf" of clay, internally packed tight and loaded with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf ...
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