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This category contains typefaces in the old style serif classification, including both Venetian and Garalde varieties. These faces date back to 1465 and are reminiscent of the humanist calligraphy. This is not for any "old" typeface, such as old English or Fraktur.
The svelte French style reached its fullest refinement in the roman types attributed to the best-known figure of French typography—Claude Garamond (also Garamont). In 1541 Robert Estienne, printer to the king, helped Garamond obtain commissions to cut the sequence of Greek fonts for King Francis I of France, known as the "grecs du roi". A ...
Early Greek print, from a 1566 edition of Aristotle. The sample shows the -os ligature in the middle of the second line (in the word μέθοδος), the kai ligature below it in the third line, and the -ou-ligature right below that in the fourth line, along many others. 18th-century typeface sample by William Caslon, showing a greatly reduced set of ligatures (-ου-in "τοῦ", end of first ...
The baptismal font at St Bartholomew's Church, Liège is a Romanesque brass or bronze baptismal font made between 1107 and 1118 now in the Collegiate Church of St. Bartholomew in Liège, Belgium. The font is a major masterpiece of Mosan art, remarkable for the classicism of its style, whose origin has been the subject of great debate among art ...
The "AD" monogram that Albrecht Dürer used as a signature. Monograms first appeared on coins, as early as 350 BC. The earliest known examples are of the names of Greek cities which issued the coins, often the first two letters of the city's name. For example, the monogram of Achaea consisted of the letters alpha (Α) and chi (Χ) joined ...
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Antiqua (/ æ n ˈ t iː k w ə /) [1] is a style of typeface used to mimic styles of handwriting or calligraphy common during the 15th and 16th centuries. [2] Letters are designed to flow, and strokes connect together in a continuous fashion; in this way it is often contrasted with Fraktur -style typefaces where the individual strokes are ...
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...