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Art historians argue that the work may be attributed to the period in which Parmigianino was painting his first works in the church of San Giovanni Evangelista, as also emerges from a recent restoration, which has shown that its technique is near-identical to that of Parmigianino - "no underdrawing, pigment use, descriptive speed, drafting of ...
The first chapel on the left has an arch frescoed by Parmigianino, with St Agatha and the Executioner and Saints Stephen and Lawrence. These are monumental figures influenced by Pordenone's frescoes in the Cathedral of Cremona. Another Saints Stephen and Lawrence and a Saint Vitalis with the Horse, both by Parmigianino, are in the following chapel.
A rare version with both saints: Ambrogio Bergognone, The Mystical Marriage of Saint Catherine of Alexandria and Saint Catherine of Siena. The mystical marriage of Saint Catherine covers two different subjects often shown in Catholic art arising from visions received by either Catherine of Alexandria or Catherine of Siena (1347–1380), in which these virgin saints went through a mystical ...
Mystic Marriage of Saint Catherine is an unfinished c.1529 oil on panel painting of the mystical marriage of Saint Catherine by Parmigianino.. It dates to the painter's time in Bologna or a few years earlier during his stay in Rome.
Mystical Marriage of Saint Catherine (Parmigianino), known as the Bardi Altarpiece, c.1521 painting in the church of Santa Maria at Bardi, Emilia-Romagna, Italy; Mystic Marriage of Saint Catherine (Parmigianino, Louvre), c. 1529 painting in the Louvre, Paris, France; Mystic Marriage of Saint Catherine (Parmigianino, National Gallery), c. 1529 ...
In 1521, Parmigianino was sent to Viadana (along with painter Girolamo Bedoli who was to marry his cousin) to escape the wars between the French, Imperial, and papal armies. In Viadana, he painted two panels in tempera, depicting Saint Francis for the church of the Frati de' Zoccoli, and the Mystical Marriage of Saint Catherine for San
Bardi Altarpiece (Parmigianino) Mystic Marriage of Saint Catherine (Parmigianino, London) Mystic Marriage of Saint Catherine (Parmigianino, Louvre) Mystic Marriage of Saint Catherine (Parmigianino, Parma) The Mystic Marriage of Saint Catherine (Poussin) Madonna and Child with St John the Baptist and St Catherine of Alexandria (Previtali)
Giorgio Vasari wrote of a "Madonna seen from the side, in a fair pose, with several other figures" made by Parmigianino for a saddler friend of his in Bologna.That work was first linked to the London work in 1784, though some art historians date it a few years earlier during the artist's time in Rome, which ended with the Sack of Rome in 1527.