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The science of photography is the use of chemistry and physics in all aspects of photography. This applies to the camera, its lenses, physical operation of the camera, electronic camera internals, and the process of developing film in order to take and develop pictures properly.
Kinetic photography (kinetic meaning "caused by motion") [1] is an experimental photographic technique in which the photographer uses movement resulting from physics to create an image. This typically involves the artist not directly holding the camera , but allowing the camera to react to forces applied to it in order to make a photograph.
Motion analysis is used in computer vision, image processing, high-speed photography and machine vision that studies methods and applications in which two or more consecutive images from an image sequences, e.g., produced by a video camera or high-speed camera, are processed to produce information based on the apparent motion in the images.
The principle is named after Austrian army Captain Theodor Scheimpflug, who used it in devising a systematic method and apparatus for correcting perspective distortion in aerial photographs, although Captain Scheimpflug himself credits Jules Carpentier with the rule, thus making it an example of Stigler's law of eponymy.
Motion vectors that result from a movement into the -plane of the image, combined with a lateral movement to the lower-right.This is a visualization of the motion estimation performed in order to compress an MPEG movie.
The rule also applies to the movement of a character as the "line" created by the path of the character. For example, if a character is walking in a leftward direction and is to be picked up by another camera, the character must exit the first shot on frame left and enter the next shot frame right. A jump cut can be utilized to denote time. If ...
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For example, sources of brilliant light, such as a light bulb or the sun, generally appear best as a featureless white on the print. Likewise, if part of an image receives less than the beginning threshold level of exposure, which depends upon the film's sensitivity to light – or speed – the film there will have no appreciable image density ...