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The dudou's original development is sometimes credited to Yang Yuhuan, the curvy consort of Emperor Xuanzong of the Tang still remembered as one of China's Four Beauties, [16] at that time, dudou was called hezi (), but the importance of the stomach as the origin of the body's blood and qi in traditional Chinese medicine [17] has meant that variations of the undershirt are found as early as ...
Mamianqun (simplified Chinese: 马面裙; traditional Chinese: 馬面裙; pinyin: mǎmiànqún; lit. 'horse face skirt'), is a type of traditional Chinese skirt. It is also known as mamianzhequn (simplified Chinese: 马面褶裙; traditional Chinese: 馬面褶裙; lit. 'horse-face pleated skirt'), but is sometimes simply referred as 'apron' (Chinese: 围裙; pinyin: wéiqún; lit. 'apron'), a ...
It was the preferred choice of clothing for women of upper and middle classes for daily wear. Unlike the typical sompot, it is more of a pant than a skirt. The chong kraben is described by art historian Eksuda Singhalampong as "...a garment that resembles loose breeches. The wearer wraps a rectangular piece of cloth around his [or her] waist ...
From 1900 through the 1920s, well-heeled women wore ornate, heavily embroidered aprons. [8] Aprons of the 1920s mirror the style of the times: loose and long. Often closed with a button and adorned with needlework, many aprons styles emerged during this era and stores began selling patterns and kits to make and adorn aprons at home. [1]
As an important style divided from traditional Sampot tied with the ancient Sompot Chong Kben, the outfit was originally prefer by most Khmer women until the 16th century of the Longvek era. It attracted a large number of Noblemen , the somloy represented a more female National costume along with Sbai for Cambodia .
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