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This culminated in several acclaimed designs, including what would become Komet's flagship amplifier: the Komet 60. [1] In his final years, Ken Fischer would collaborate with Dr. Z Amplification on the, "Z-Wreck." The Z-Wreck is a Vox AC30-style amp that was originally made for country guitar player, Brad Paisley. Fischer's final design, the ...
Some guitar makers, like Greg Smallman propose an armrest integrated to the guitar. An armrest provides three primary benefits: it lessens damping of the top caused by the right forearm; it is potentially more comfortable for the player; and it absorbs the wear to the finish that would otherwise happen on the top, the binding, and the side.
"Cranking an amp" means turning up a guitar power amplifier well into the region at which power-tube distortion is produced, generating as much as twice the amplifier's rated non-distorting wattage. Pushing a guitar amp to such an extent can destroy components of an amplifier whether using an isolation cabinet, dummy load, power attenuator, or ...
The guitar, minus the amp-in-case, was reissued by Evets Corporation for 2008 as the Dano '63. It is not an exact copy, but updated with modern materials and construction methods. [5] From 1999 to 2002, Evets Corp. also marketed an "Amp-in-Bag" gig bag accessory for its line of Danelectro retro-design reissue guitars.
Presence controls can also be found on electric guitar amplifiers. The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, [4] and the 4/10 Bassman. [5] The original Fender presence control acted upon the amplifier's negative ...
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One method is to connect a bass guitar amplifier's speaker level output (via a pad, to attenuate the signal) to a DI and then run it to one channel of the mixing console, and run a miked guitar speaker cabinet signal into another channel of the mixing console. Another method is to connect a DI between the guitar and the amplifier.
A tone stack is a specialized type of audio filter incorporated into the circuit of an audio amplifier to alter its frequency response. The term is primarily used in reference to instrument amplifiers such as guitar amplifiers. [1] Guitars can produce sounds from 80Hz up to 10KHz, while guitar amps produce very little sound above around 5KHz.