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Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier , a series of 48 preludes and fugues by the composer.
BWV 545a – Prelude and Fugue in C major (alternative version of BWV 545) BWV 545b – Prelude, Trio and Fugue in B-flat major (alternative version of BWV 545; the Trio is an arrangement of the finale of BWV 1029; some parts possibly by Johann Tobias Krebs) BWV 546 – Prelude and Fugue in C minor; BWV 547 – Prelude and Fugue in C major ("9/8")
Étude-tableau in B♭ minor, op. 39 no. 4†§ "Subway" — Rach; Prelude in G♯ minor, op. 32 no. 12§ Prelude in G minor, op. 23, no. 5†§ "Trepak" from Songs and Dances of Death† Music by Modest Mussorgsky Lyrics by Arseny Golenishchev-Kutuzov; Piano Concerto no. 2 in C minor, op. 18, 1st movement, 1st theme†§ Moment Musical in B ...
Prelude in C minor, by Johann Sebastian Bach, from the Prelude and Fugue in C minor, BWV 871, from Book II of The Well-Tempered Clavier; Prelude in C minor, BWV 934, by Johann Sebastian Bach, from the Six Little Preludes, BWV 933–938; Prelude in C minor, BWV 999, by Johann Sebastian Bach, for solo lute; Prelude in C minor, Op. 28 No. 20, by ...
The two major primary sources for this collection of Preludes and Fugues are the "London Original" (LO) manuscript, dated between 1739 and 1742, with scribes including Bach, his wife Anna Magdalena and his oldest son Wilhelm Friedeman, which is the basis for Version A of WTC 2, [34] and for Version B, that is the version published by the 19th ...
The prelude, in the key of C minor, has 28 measures and is in the time signature of 4 4. The prelude is not heavily ornamented, but it does contain a few trills. The piece is mainly made up of sixteenth notes and eighth notes and a few quarter notes and half notes. [3] Beginning of the Prelude in C minor, BWV 871.
According to the Bach Digital website, the time of origin of Johann Sebastian Bach's Prelude in C minor, BWV 999, is unknown. [2] Based on Thomas Kohlhase [], the 1998 edition of the Bach-Werke-Verzeichnis indicates that the piece likely originated in Bach's Köthen period, that is, between 1717 and 1723. [3]
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.