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Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A Considerable Speck; The Silken Tent; Happiness Makes Up In Height For What It Lacks In Length; The Subverted Flower; The Lesson for Today; The Discovery of the Madeiras; Of the Stones of the Place
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1]The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4]
"Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [ 1 ] and was later published in Frost's 1923 Pulitzer Prize -winning book New Hampshire .
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
"After Apple-Picking" is a poem by American poet Robert Frost. It was published in 1914 in North of Boston, Frost's second poetry collection. [1] The poem, 42 lines in length, does not strictly follow a particular form (instead consisting of mixed iambs), nor does it follow a standard rhyme scheme.
The Blessed Damozel is the only one of Rossetti's paired pictures and poems in which the poem was completed first. Friends and patrons repeatedly urged Rossetti to illustrate his most famous poem, [3] and he finally accepted a commission from William Graham in February 1871.
Title page to the 1811 second edition. The Curse of Kehama is an 1810 epic poem composed by Robert Southey.The origins of the poem can be traced to Southey's schoolboy days when he suffered from insomnia, along with his memories of a dark and mysterious schoolmate that later formed the basis for one of the poem's villains.
When the poem was originally published in Spring and All, it was simply titled "XXII", denoting the poem's order within the book. Referring to the poem as "The Red Wheelbarrow" has been frowned upon by some critics, including Neil Easterbrook, who said that such reference gives the text "a specifically different frame" than which Williams ...