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The Olney Hymns / ˈ oʊ n i / were first published in February 1779 and are the combined work of curate John Newton (1725–1807) and his poet friend William Cowper (1731–1800). The hymns were written for use in Newton's rural parish, which was made up of relatively poor and uneducated followers.
A collection of the poems Newton and Cowper had written for use in services at Olney was bound and published anonymously in 1779 under the title Olney Hymns. Newton contributed 280 of the 348 texts in Olney Hymns; "1 Chronicles 17:16–17, Faith's Review and Expectation" was the title of the poem with the first line "Amazing grace! (how sweet ...
With Cowper's assistance, Newton was able to publish the Olney Hymns Hymnal, which included "Glorious Things of Thee Are Spoken", in 1779. [6] The hymn is based upon Psalm 87:3 and Isaiah 33:20–21. [4] "Glorious Things of Thee Are Spoken" is considered to be Newton's best composition and was the only joyful hymn in the publication. [4]
John Newton (/ ˈ nj uː t ən /; 4 August [O.S. 24 July] 1725 – 21 December 1807) was an English evangelical Anglican cleric and slavery abolitionist.He had previously been a captain of slave ships and an investor in the slave trade.
The Cowper and Newton Museum is a museum in Olney, north Buckinghamshire, England, around 8 miles (13 km) north-east of Central Milton Keynes. Celebrating the work and lives of two famous local residents: William Cowper (1731–1800), a celebrated 18th-century poet; and John Newton (1725–1807), a slave trader and subsequently a prominent ...
Sabrina Carpenter's response to the controversy surrounding her “Feather” music video is getting a reaction all of its own.. The music video, which was released Oct. 30, features the singer in ...
"How Sweet the Name of Jesus Sounds" is a hymn by the evangelical Anglican cleric John Newton. It was published in Olney Hymns in 1779. [1] Of a metaphorical nature, it focuses on the power of the name of Jesus. [2] It is often sung to the tune of Saint Peter by Alexander Reinagle and less frequently to Ortonville by Thomas Hastings. [3]
Even most of Newton-John’s fans might have missed the fact that she covered the Divinyls’ saucy alt-pop standard. That band’s hit ’90s original was a song of true double-entendres ...