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Othello, a General in the Venetian army, promotes a young officer, Michael Cassio, enraging Iago—the General's ensign—who expected the post himself. Outwardly loyal to Othello and his recently married wife, Desdemona, Iago proceeds to cause dissension within Othello's camp (for instance, tuning Othello's new father-in-law against him, and causing Cassio to fight another officer).
Iago (/ i ˈ ɑː ɡ oʊ /) is a fictional character in Shakespeare's Othello (c. 1601–1604). Iago is the play's main antagonist , and Othello 's standard-bearer . He is the husband of Emilia who is in turn the attendant of Othello's wife Desdemona .
Iago persuades Othello that Desdemona and Cassio have "the act of shame a thousand times committed"; [163] Emilia says Iago "hath a hundred times" [164] asked her to steal the handkerchief; Bianca complains Cassio has been away from her "a week"; [165] news of the Turkish defeat needs time to reach Venice then Lodovico needs time to reach ...
Othello is the title character of Othello. A Moorish general in the Venetian army, he is persuaded by Iago that his wife Desdemona is having an affair with Michael Cassio. Some Outlaws, three of which are speaking roles, initially try to rob Valentine, but decide to invite him to be their leader, in The Two Gentlemen of Verona.
Desdemona (/ ˌ d ɛ z d ə ˈ m oʊ n ə /) is a character in William Shakespeare's play Othello (c. 1601–1604). Shakespeare's Desdemona is a Venetian beauty who enrages and disappoints her father, a Venetian senator, when she elopes with Othello, a Moorish Venetian military prodigy.
Probably first performed for King James I at the Whitehall Palace on 1 November 1604. [12] Summary Othello, a Moor and military general living in Venice, elopes with Desdemona, the daughter of a senator. Later, in Cyprus, he is persuaded by his servant Iago that his wife is having an affair with Michael Cassio, his lieutenant. Iago's story ...
After breaking off from Iago, who hid in the earlier scene from Brabantio's sight, he joins Brabantio and his men in their journey to Sagittary in Act One, Scene Two, in hopes of finding Othello and Desdemona. In Act Two, Roderigo joins Iago in his journey to Cyprus, where the Venetians are expecting a Turk invasion, in hopes of being able to ...
Hazlitt's treatment of the character of Iago is written in part as a response to those who "thought this whole character unnatural, because his villainy is without a sufficient motive." [158] Hazlitt responds with a psychological analysis that exerted great influence and sparked considerable discussion: Shakespeare "knew that the love of power ...