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The United Nations Educational, Scientific and Cultural Organisation (UNESCO) intangible cultural heritage elements are the non-physical traditions and practices performed by a people. As part of a country's cultural heritage, they include celebrations, festivals, performances, oral traditions, music, and the making of handicrafts. [1]
A kuman thong (Thai: กุมารทอง) is a household deity of Thai folk religion. It is believed to bring luck and fortune to the owner if properly revered. kuman, or kumara means 'young boy' (female kumari); thong means 'golden'.
Traditional Thai theatre includes various forms such as Khon (masked dance-drama), Nang (which encompasses shadow play, including Nang yai and Nang talung), Lakhon (classical dance-drama), Likay (folk theatre), Manora (classical dance-drama), and Hun (puppetry). Each of these forms has its own unique style, costume, and music.
Thai folklore is a diverse set of mythology and traditional beliefs held by the Thai people. Most Thai folklore has a regional background for it originated in rural Thailand . With the passing of time, and through the influence of the media, large parts of Thai folklore have become interwoven with the wider popular Thai culture .
Nang Ta-khian (Thai: นางตะเคียน, "Lady of Ta-khian") is a female spirit of the folklore of Thailand. It manifests itself as a woman that haunts Hopea odorata trees. These are very large trees known as Ta-khian (ตะเคียน) in Thai, hence her name.
Thai traditional games (Thai: การละเล่นพื้นบ้าน) have been an integral part of Thai culture and traditions since ancient times. The Sukhothai period marked the earliest known traditional games in Thailand , as recorded in the stone inscription of King Ramkhamhaeng . [ 1 ]
The likay story repertoire ranges from historic incidents to well known folk tales larded with humorous anecdotes. The main characters are phra (hero), nang (heroine), kong (villain), itcha (villainess), and joker (male or female clowns) in the roles of stereotyped princesses, kings, and lower class figures with caricatured appearances and a lot of freedom in speech. [4]
Anek Nawikamul, a Thai historian, researched the story and found an article in the Siam Praphet newspaper written by K.S.R. Kulap, dated March 10, 1899.Kulap claimed the story of Mae Nak was based on the life of Amdaeng Nak (อำแดงนาก, 'Mrs Nak'), daughter of a Tambon Phra Khanong leader named Khun Si.