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They are often as beautifully ornate and patterned as the outer kimono. Since men's kimono are usually fairly subdued in pattern and colour, the nagajuban allows for discreetly wearing very striking designs and colours. [6]: 32–46 Nemaki A unisex cotton robe resembling a yukata, but with tube-shaped sleeves.
Many sashiko patterns were derived from Chinese designs, but just as many were developed by native Japanese embroiderers; for example, the style known as kogin-zashi, which generally consists of diamond-shaped patterns in horizontal rows, is a distinctive variety of sashiko that was developed in Aomori Prefecture.
[12]: 137 For men, under-kimono often featured highly-decorative and often heavily pictorial scenes that would then be covered entirely by the outer kimono, which was typically very plain or designed with a simple and subtle pattern. Example of men's under-kimono within the collection display depictions of performers, dancers and haiku poems ...
For kimono, designs dyed into the fibres and yarns used for weaving before the fabric's construction, including ikat dyeing, are considered informal, with designs dyed into the fabric after weaving and embroidered designs used for more formal kimono. For obi, woven patterns are conversely considered the most formal, with designs dyed onto the ...
Hakama are worn with any type of kimono except yukata [2] (light cotton summer kimono generally worn for relaxing, for sleeping or at festivals or summer outings). While glossy black-and-white striped sendaihira hakama are usually worn with formal kimono, stripes in colours other than black, grey and white are worn with less formal wear.
The first instances of kimono-like garments in Japan were traditional Chinese clothing introduced to Japan via Chinese envoys in the Kofun period (300–538 CE; the first part of the Yamato period), through immigration between the two countries and envoys to the Tang dynasty court leading to Chinese styles of dress, appearance, and culture becoming extremely popular in Japanese court society. [1]
The undergarments, not considered part of the jūnihitoe proper, are typically a two-piece cotton or silk garment. The kosode: a short red or white silk robe of ankle or lower calf length. The nagabakama: the formal version of hakama worn by noble women; a very long pleated red skirt, sewn with two split legs.
Simple kon gasuri patterns, 19th century Kasuri fragment from an early-20th century kimono using the e-gasuri (lit. ' picture kasuri ') technique to create a picture of plovers. This is also an example of iro gasuri (lit. ' colour kasuri '), in that it uses several colors. Complex kasuri pattern, tate-yoko gasuri, first half of 20th century