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Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. [1]
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The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
Back spinning is used to "rewind" the sound on a record to a previous point in the audio, to slip cue or cut music mixed live by a DJ, or in beat juggling (see: turntablism). Usually, the sound of a backspin is a shrill, reversed version of the audio being bypassed.
The DJ software uses this data (e.g., about how fast the platter is spinning) to determine the playback status, speed, scratch sound of the hardware turntables, etc., and it duplicates these effects on the digital audio files or computer tracks the DJ is using. By manipulating the turntables' platters, speed controls, and other elements, the DJ ...
It could be seen as fingertip sampling, and the turntable and mixer combination could be seen as an instrument from which sounds are made, from the sounds of other instruments (samples). Despite being a classical technique in deejaying and turntablism, beat juggling isn't limited to analogue mixing with vinyl records .