Search results
Results From The WOW.Com Content Network
Songs Inspired by Literature, Chapter One: Justin Wells: The Odyssey: Homer [29] "Lay Down" Bursting at the Seams: Strawbs: The 23rd Psalm of the Book of Psalms from the Hebrew Bible and the Christian Old Testament [132] "The Legend of Enoch Arden" Songs Inspired by Literature, Chapter One: Diane Zeigler "The Legend of Enoch Arden" Alfred Lord ...
Artemio Motta (c. 1661 - 18th century) was an Italian composer of the Baroque period.. Artemio Motta was a Catholic priest, born in Parma into a wealthy family. [1] His musical output consists of 10 Concerti a cinque, Op.1 (published Modena: Fortuniano Rosati, 1701 and again Amsterdam: Estienne Roger, 1702) and a collection of Cantatas ''Cantate a voce sola'', Op.2, (published Bologna: Marino ...
Porter would frequently return to the list song form, notable examples include "You're the Top" from the 1934 musical Anything Goes, [25] [26] [27] "Friendship", one of Porter's wittiest list songs, from DuBarry Was a Lady, [28]: 483 and "Farming" and "Let's Not Talk About Love" both from Let's Face It!
List of songs which have spent the most weeks on the UK Singles Chart; List of songs banned by the BBC; List of songs containing the I-V-vi-IV progression; List of Negima songs; List of songs introduced by Frank Sinatra; List of songs recorded by Zecchino d'Oro; List of songs that retell a work of literature; List of songs with Latin lyrics
Rushworth, Jennifer; Scott, Hannah; Ife, Barry Ife (eds.): Song in the Novel (2024) Weliver, Phyllis. The Musical Crowd in English Fiction (2006) Weliver, Phyllis. Women Musicians in Victorian Fiction, 1860-1900 (2000) Art in Fiction website; List of composers depicted on film
A partially complete list of songs by Cole Porter. [1] Songs written at Yale University: “Antoinette Birby” “Bingo Eli Yale” “Bull Dog” Cora (1911 college musical) And the Villain Still Pursued Her (1912 college musical) "We are the Chorus of the Show" "Strolling" "The Lovely Heroine" "I'm the Villain" "Twilight" "Llewellyn" "That ...
In vocal music, contrafactum (or contrafact, pl. contrafacta) is "the substitution of one text for another without substantial change to the music". [1] The earliest known examples of this procedure (sometimes referred to as ''adaptation'') date back to the 9th century used in connection with Gregorian chant.
In popular music, especially country music, a recitation song or "recitation" as it is more commonly called, is a spoken narrative of a song, generally with a sentimental (or at times, religious) theme. Such numbers were quite popular from the 1930s into the 1960s, although there were only few in number.