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The album "is perhaps the most divisive record in Rainbow’s catalogue" according to Record Collector reviewer, because of "Blackmore's single-minded pursuit of mainstream success" and the departure from the sound of preceding albums. He adds that this is a "strong" album with many "classic radio" staples, but the second disc of the Deluxe ...
Rainbow Records was a record label based in the United States of America in 1920 which featured recordings of Christian gospel music, hymns, and spirituals. [ 1 ] Rainbow Records were made by the Rodeheaver Record Company of Chicago, Illinois , which in turn was owned by trombonist and composer Homer Rodeheaver .
The album showpiece, according to general consensus, is the eight-minute-and-26-second track "Stargazer", features the Munich Philharmonic Orchestra, and originally had a keyboard intro as evidenced on the 2011 Deluxe Edition's "Rough Mix" version. [citation needed]
The phrase cassette tape is ambiguous in that there is no common dictionary definition [1] [2] [3] so depending upon usage it has many different meanings, as for example any one the one of 106 different types of audio cassettes, [4] video cassettes [5] or data cassettes [6] listed at The Museum of Obsolete Media.
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That doesn't change the fact that there is some great stuff to be found here and nowhere else, such as the side-long version of "Mistreated," from Deep Purple's Burn." [11] The song "Kill the King" appeared on this album before it was recorded for a studio album. A studio version appears on the follow-up release, 1978's Long Live Rock 'n' Roll.
45 rpm record: Analog often around 4 minutes (EP: 7 minutes) per side, up to 6 per side, in some cases even a few minutes longer. LP record: Analog typically 15–25 minutes per side (30 minutes per side for classical & spoken word), although 45 minutes is possible with tight groove spacing and no spacing between tracks. Audio cassette: Analog
Two different ways of marking cut-out records on LP jackets. When LPs were the primary medium for the commercial distribution of sound recordings, manufacturers would cut the corner, punch a hole, or add a notch to the spine of the jacket of unsold records returned from retailers; these "cut-outs" might then be re-sold to record retailers or other sales outlets for sale at a discounted price.