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Milcząca Gwiazda (German: Der schweigende Stern), literal English translation The Silent Star, is a 1960 East German/Polish color science fiction film based on the 1951 science fiction novel The Astronauts by Polish science fiction writer Stanisław Lem. It was directed by Kurt Maetzig, and stars Günther Simon, Julius Ongewe and Yoko Tani.
Schaefer was the co-founder and director emeritus of the Association for Play Therapy [4] in Fresno, California and the founder and co-director of the Play Therapy Training Institute in Hightstown, New Jersey. [5] Author of more than 50 books, Child Magazine named Schaefer's book Raising Baby Right, (Crown Publisher, 1992) as its 1992 Book of ...
She was a popular star and collaborator of Mack Sennett in their Keystone Studios films, [3] and at the height of her career in the late 1910s and early 1920s had her own film studio and production company, [4] the Mabel Normand Feature Film Company. [5]
The book was written after the death of her third husband, Homer Hargrave. It was likely written with the help of Moore's friend Adela Rogers St. Johns.Moore is often either identified as "me" or "Colleen Moore," indicating more than one person wrote the captions in the book's photo captions.
Marie Prevost (born Mary Bickford Dunn; November 8, 1896 [1] – January 21, 1937) was a Canadian-born film actress. During her 20-year career, she made 121 silent and sound films.
Andrea Louise Riseborough (born 20 November 1981) is an English actress. She made her film debut with a small part in Venus (2006), and has since appeared in more prominent roles in Brighton Rock (2010), W.E. (2011), Shadow Dancer (2012), Oblivion (2013), Birdman (2014), Nocturnal Animals (2016), Battle of the Sexes, The Death of Stalin (both 2017), Mandy, Nancy (both 2018), The Grudge ...
Poet Ray Deshpande of the Poetry Foundation notes that while Johnson was "adept across genres, writing plays and searing war reportage in addition to fiction, one finds a distinctive voice in his four short books of poems." [8] Among the poets influenced by Johnson are Bianca Stone, Matt Hart, and Lucie Brock-Broido.
Recent opinion holds that the Jonson wrote the play in the era when it premiered, the early 1630s, and that its apparently archaic aspects are deliberate artistic choices on the author's part. [1] For modern critics and scholars, a primary focus of interest in the play is Jonson's ridicule of Inigo Jones as "In-and-In Medlay". [2] (The 1633 ...