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Cash flow CDOs pay interest and principal to tranche holders using the cash flows produced by the CDO's assets. Cash flow CDOs focus primarily on managing the credit quality of the underlying portfolio. Market value CDOs attempt to enhance investor returns through the more frequent trading and profitable sale of collateral assets. The CDO asset ...
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A synthetic CDO is a variation of a CDO (collateralized debt obligation) that generally uses credit default swaps and other derivatives to obtain its investment goals. [1] As such, it is a complex derivative financial security sometimes described as a bet on the performance of other mortgage (or other) products, rather than a real mortgage security. [2]
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Beginners is the title given to the manuscript version of Raymond Carver's 1981 short story collection What We Talk About When We Talk About Love, published with the permission of Carver's widow Tess Gallagher in 2009.
The piano is often used to provide harmonic accompaniment to a voice or other instrument.However, solo parts for the piano are common in many musical styles. These can take the form of a section in which the piano is heard more prominently than other instruments, or in which the piano may be played entirely unaccompanied.
C or Do is the first note of the C major scale, the third note of the A minor scale (the relative minor of C major), and the fourth note (G, A, B, C) of the Guidonian hand, commonly pitched around 261.63 Hz.
Earl Kenneth Hines, also known as Earl "Fatha" [nb 1] Hines (December 28, 1903 [nb 2] – April 22, 1983), was an American jazz pianist and bandleader.He was one of the most influential figures in the development of jazz piano and, according to one source, "one of a small number of pianists whose playing shaped the history of jazz".